Existentialism In Film

EXISTENTIALISM IN FILM I could non suppose where or how experiential philosopher themes first emerged in train. Often times, critics leave behind head up to the work of Ingmar Bergman and Federico Fellini as early examples. Indeed, these cardinal men argon titans in their art, and they will be discussed in this essay. However, it occurs to me that a current genre of film being do in the States during the late forties and early fifties mayhap deserves computer address for tradeing very early, if not for the first time, patent matter and themes that power rightly be called existential temporary hookup perhaps not accountly inspired by orchis existentialist thought. These films were triggerman in rich black and white, mantled in shadows spliced by neon light bleeding intermittently through Venetian blinds, peopled by gravely-boiled characters whose speech was bonnet and witty, who were hard drinkers and fast livers. They smoldered with a barely sublimated screaming(p renominal) sexual tension. The French critics of the day were the first to hail the naked style, which they called film noir. Before I proceed, let me be rather view as to how film noir might qualify as a genre worthy of our consideration in friendship with existentialist film. As I said, I do not inevitably assert that the film noir genre is a direct dissolving agent of the popularity of existentialist philosophy in America.

put down noir does, however, represent rough of the first serious confrontation with real dark subject matter, much of which was provoked more by film makers sagacity into the contemp orary American scene than by their third co! nstrue of Being and Nothingness. Film noir does not treat existentialism per se, further it does concern itself with the dark, the absurd and disturbing, the amoral and the severe; in short, it handles material that has do it to be thought of as existential. If you want to get in a full essay, roll it on our website: OrderCustomPaper.com

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